|
Sign in For International Broadcasters, Distributors, Licensees ANIMATION Doraemon ドラえもんA cat-like robot, Doraemon from the future helping an elementary schoolboy Nobita! Fortunately for Nobita, he’s got Doraemon, a trusty robot-cat that was sent back in time from the 22nd century to keep an eye on him. What’s more, Doraemon has a nifty 4-dimensional pocket that can provide an almost endless supply of gadgets. But poor Doraemon! Sometimes the best of intentions turn things from bad to worse. What will become of Nobita?! · Broadcast on TV Asahi since 1979 with solid ratings throughout the years. · Over 900 episodes available and still in production. · Asia’s #1 Children’s Anime Character! · Broadcast in more than 60 countries on major channels. · Over 2000 consumer products in Asia. · 45 volumes of the comic books, and more than 100 million copies sold. · More than 36 films released and still in production every year. · Introduced as “The Cuddliest Hero in Asia” in Time Magazine. Release Year
2021 -
Target
Child / KidsTeen-age Family Duration & Episodes
Approx 22min x 1074 episodes
- 684 eps in SD (4:3) - 390 eps in HD (16:9) Links
Official site (Japanese)
Extprint3r InstantBut extprint3r’s charm is not merely mechanical. It carries the aesthetics of internet-native crafts: leetspeak in its name, shorthand for a maker culture that delights in hacks and playful dysfunction. That quirky branding signals a community sensibility — clever, slightly irreverent, and shorthand-savvy — and it primes expectations of improvisation rather than polish. That’s valuable. In a landscape dominated by sleek, bland uniformity, a bit of character invites curiosity and lowers the barrier for experimentation. There’s also a democratic edge. extprint3r suggests that printing needn’t be a corporate, gated feature. It’s a reminder that once-fancy functions — exporting, preserving, sharing — can be lightweight and accessible. For educators, activists, and independent creators, that matters. A simple, dependable way to transform digital thoughts into physical artefacts can amplify voices that digital ephemera would otherwise swallow. extprint3r extprint3r, then, is less a finished product than a social prompt: print more thoughtfully, design with personality, and remember that the digital and the material can converse. As with any bright little gadget that refuses to play it safe, its real contribution may be the questions it forces us to ask — about craft, care, and what we choose to make permanent. But extprint3r’s charm is not merely mechanical At first glance extprint3r is practical: a tool that spits out text in physical or shareable form, an affordance for the impatient, the archival, the analog-curious. In a world that has ossified around screens, the act of printing — of transferring ephemeral bits into tactile ink — feels deliberate and slightly rebellious. It’s less about nostalgia than about asserting choice: not everything must be endlessly scrolled; some things deserve to be held, pinned, or mailed. That’s valuable extprint3r arrives on the scene like a neon flyer stuck to a lamppost at 2 a.m.: part announcement, part provocation. It’s an odd artifact of our era — equal parts utility and personality — that both promises to bridge gaps and highlights just how many gaps we keep trying to bridge. Finally, there’s an aesthetic lesson. extprint3r reminds us that function and fun need not be mutually exclusive. Tools that let us externalize thoughts — to pin up, distribute, or archive — reshape how we value ideas. They nudge us toward slower practices: editing for paper, curating a physical bulletin, sending something deliberate rather than ephemeral. That nudging is restorative. It reconnects the speed of the digital with the deliberateness of the physical, and in doing so asks us to be choosier about what we commit to ink. Yet extprint3r also exposes tensions. The tool’s rough-hewn persona can be a double-edged sword: playful idiosyncrasy sometimes masks limited polish. A focus on cleverness may trade off usability, durability, or privacy defaults. And in an age where data flows are scrutinized, any convenience that bridges devices and formats must answer not just whether it works, but how it treats the content it handles. Enthusiasm for a device’s novelty should not eclipse questions about robustness and trustworthiness. |